But one Malay teacher here is proving the exception to the rule: Mohd Bakri Talib’s vibrant creations have gained attention on social media, proving that this ancient South Indian expression can become a meaningful bridge between communities.

Bakri, who is in his 40s and teaches at Sekolah Menengah Kebangsaan Zon R1 Wangsa Maju, told Bernama he first became interested in kolam in 2005 when he began taking Tamil-language classes.

“That’s when I began learning more about Indian culture and was drawn to the beauty and intricacy of kolam designs,” he said.

Bakri then joined community-level kolam competitions held at supermarkets and, after winning several of these, became determined to explore the art form more seriously.

He has since been commissioned to create kolam for Deepavali celebrations at shopping centres, offices and other business premises. “What means the most to me is that I treat every kolam as a special gift to my Indian friends across Malaysia,” he said.

Bakri has no formal background in visual arts – his interest and curiosity led him to learn complex kolam designs from the internet as well as through observation.

“I start by sketching the design on paper or digitally, then I choose colours that suit the Deepavali theme and arrange the materials (rice or rice powder) on the floor.

“Although I’ve never had a teacher, a renowned kolam artist recently offered to mentor me, for which I’m truly thankful,” he shared.

Despite it being an Indian art form, Bakri’s participation as a Muslim has never been met with controversy. In fact, he said the support he receives has been overwhelming.

“My friends and the Malay community have been very encouraging. I always ensure my designs are appropriate, featuring flowers, geometric shapes and patterns without religious elements.”

He believes that learning and embracing other cultures is a sign of mutual respect; and what touches him most is the warm acceptance from the Indian community, who deeply appreciate his dedication.

Bakri also welcomes anyone who wishes to learn the craft from him, as long as it is done with sincerity and gratitude.

“Kolam is not just decorative art; it reflects the harmony of society,” he said. “I see this art form as a bridge that unites Malaysians.”