With its title derived from the words “kontemporari” and “tradisional”, this showcase is a beautifully crafted interpretation of traditional dance forms. “Bianglala” means “rainbow”, foreshadowing the colourful array of reimagined dance that audiences can expect.
Directed by The Actors Studio’s choreographer in residence, Zhafir Muzani, “KonTra” is composed of six pieces by different choreographers, and is a loving tribute to classical Malay dance forms.
In the theatre, a large screen shows the name of each piece and the story behind it, allowing new viewers to feel welcome and included.
The showcase begins with “Sujud”, choreographed by Zhafir and performed by two dancers including Zhafir himself, a singer, and a flautist.
It utilises the most number of props, which might feel distracting at first; but, as you witness how each dancer interacts with each item, the patterns become clear and you become immersed in the movements. The traditional dress featured in this piece is simple but charming.
The second work is fast-paced but not uncomfortable in its intensity. With two dancers in modern costume, Dayang Norinah’s “Aku Mau” initially feels present-day but, as it goes along, you realise how the performers are using contemporary dance to tell a traditional story.
Sadly, this engaging piece ends far too quickly.
Up next is “Buu-geng” by Sharm Noh, which is intended as a dance interpretation of Silat but, regrettably, does not quite hit the mark. The costumes are beautiful but the performers in this instance rely too much on their props.
Perhaps it would be more impressive if the preceding works did not set such a high bar.
The second half of the show kicks off with “Nian”, a thoughtful and funny social commentary via choreography by Izzie Islam. Two performers take the stage in lovely dress inspired by Minangkabau culture, and move as if they have been performing this piece for years.
They deliver a beautifully executed dance where modern movements flow gracefully into traditional forms – a rapturous and humorous delight.
Then there’s “Mulan” by Ker Yee Teng, featuring performers in costumes that depict the male and female. Individually, neither leaves much of an impression; but, as they come together for the final section, they showcase the beauty and joy in the embracing of the masculine and the feminine.
The show saves the best for last with “Raso”, choreographed by Kerol Mohtar. Fast-paced and captivating with clean, large movements, the entire theatre will be hushed, with every eye following each dancer’s every move. It will leave you exhilarated and wanting more.
All in all, “KonTra” promises a night of entertainment and an easy entryway into the joyous world of contemporary and traditional Malay dance.
And, as an added bonus, you will also be treated to the sweet nasyid stylings of Alhapis Kamaruddin or ApisK, making you reluctant to leave for the bathroom during intermission.
‘KonTra: Bianglala’ runs at the Kuala Lumpur Performing Arts Centre at 8pm tonight and tomorrow, and 3pm on Sunday. Tickets, priced at RM35 and RM50, can be booked here.
Kuala Lumpur Performing Arts Centre
Jalan Sultan Azlan Shah
Sentul, 51100 Kuala Lumpur