Let music be a bridge in multicultural M’sia, says hip-hop star Balan Kash

Let music be a bridge in multicultural M’sia, says hip-hop star Balan Kash

The 'Cekap' and 'Terima Kasih' singer calls on artistes, media platforms and consumers alike to be proud of the unique identity inherent in local music.

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Balan Kash is known for bridging cultural divides through his Tamil, English and Malay songs. (Moganraj Villavan @ FMT Lifestyle)
KUALA LUMPUR:
Local hip-hop artiste Balan Kash hopes more Malaysian musicians will develop their own unique identity in their work, instead of measuring their success against foreign artistes.

The 42-year-old said the identity crisis in Malaysia’s music industry stems from the public’s tendency to idolise foreign musicians, even though local talents have comparable ability and potential.

“We often set foreign artistes as the benchmark, but the truth is, many Malaysian musicians produce strong, competitive work. What they need is space and support from the local ecosystem,” he told Bernama at a recent music conference here.

Balan said the perception that local music is inferior to international releases has long shaped the country’s listening culture, especially among young people who are more familiar with K-pop, American hip-hop, and international hits.

“Our youths can memorise songs by Blackpink or Bad Bunny, but they don’t know songs by Too Phat or Butterfingers. It’s not their fault, but a result of a system that doesn’t give Malaysian music equal exposure on mainstream platforms,” he said.

The “Cekap” singer said mainstream media and digital platforms should play a more active role in strengthening local music by giving fair coverage and airplay to works in Malaysia’s rich array of languages.

“In Thailand and Indonesia, most of the songs played on radio are local, but in Malaysia, we’re filled with foreign content. We have Malay, Tamil, Mandarin and English stations, but they each operate in their own silo – when music could actually be a bridge.

“Why can’t English stations play Malay songs, or vice versa?” he asked.

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Balan says building a national musical identity involves recognising that every artiste, regardless of race, contributes to shaping Malaysia’s musical landscape. (Bernama pic)

The singer from Klang, Selangor believes local music has the potential to become a regional powerhouse if identity is given renewed focus – through lyrics, sounds and narratives that reflect the realities of life in Malaysia.

“We have great artistes like Yuna, Siti Nurhaliza and Shila Amzah, but to go even further, we must first understand ourselves – our language, culture, and the stories we want to tell.”

Balan stressed that building a national musical identity is not just about language but about recognising that every artiste, regardless of race, contributes to shaping Malaysia’s musical landscape.

“I’m Indian, but I’m also Malaysian. It’s time we stop dividing music by race. We need to see ourselves as Malaysians creating art for the world,” he stated.

Balan, who has been active in the local music scene for over a decade, is known for bridging cultural divides through his versatile Tamil and English songs. His notable works include the song “Hola Amigo”, a collaboration with renowned Indian composer Anirudh Ravichander.

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