In fact, a total of 306 dhols will beat in unison during the “Dhol Fest 2025” at Khalsaland along Jalan Orang Asli, Kampung Buloh Telor, Ampang Pecah.
Event spokesman Roshan “Roar” Singh Malli said they hope this largest gathering of dhol players in the country will earn a place in the Malaysia Book of Records.
“It will be a vibrant celebration of rhythm, heritage and unity as Malaysia witnesses an extraordinary musical gathering like no other.
“The festival aims to honour and elevate the iconic Punjabi bhangra dhol, a drum that carries centuries of culture in every beat,” said Roshan, of the event organised by youth organisation Sikh Naujawan Sabha Malaysia (SNSM).
More than just numbers, he said the festival paid tribute to the instrument, a powerful double-sided drum that had transcended borders to become a symbol of joy, festivity and Punjabi identity.
“The event will bring together dholis (dhol players) from across the country – young and old, seasoned and new – in a booming display of musical unity.
“The event is also a way to reconnect the younger generation with their cultural roots while promoting national multicultural appreciation.
“The dhol, after all, is not just a musical instrument. It is the heartbeat of Punjabi celebrations, from weddings to harvest festivals like Vaisakhi,” Roshan said.
He said besides the Punjabi dhol, drums are an important part of all cultures, each with their unique rhythm and story.
“From the Malay kompang to the Chinese tanggu and the Indian tabla, drums are universal instruments of celebration and ceremony.
“What makes the dhol unique, however, is its unmatched energy. Played with two sticks, it produces a deep, earthy thump on one side and a high-pitched slap on the other.
“The combination of these two tones is what drives the high-octane bhangra dance and sets pulses racing,” he said.
Unlike many traditional drums played while seated, he said, the dhol is often worn with a strap and played while moving, infusing performances with dynamic motion.
“As Malaysia continues to embrace its rich multicultural identity, events like the ‘Dhol Fest’ remind us that our diversity is our strength,” he said.
“When the dhol beats echo through the air during the festival, it will be more than just a record-breaking attempt. It will be the heartbeat of heritage, resonating through every proud Malaysian who believes in unity through culture,” Roshan added.
The dhol dates back several centuries, with references found in 15th-century Indian literature and Persian texts.
Traditionally used in the Punjab region to announce festivals and battles, the dhol is regarded as both an instrument of joy and of command.
Over time, it became closely associated with the bhangra, a traditional harvest dance of Punjab, which has since evolved into a global symbol of Punjabi culture and celebration.
“As Punjabis migrated across the world, the dhol travelled with them, gaining popularity in the UK, Canada, the US and here in Malaysia, where it is now deeply embedded in local celebrations.
“Malaysia’s dhol journey has been shaped by passionate individuals and pioneering groups who laid the foundation for its popularity today,” he said.
Roshan said the first documented dhol player in Malaysia was Nashatar Singh Nihang, who introduced the instrument to local audiences and helped seed its presence in community celebrations.
“His early performances laid the groundwork for what would become a growing musical movement.
“Carrying that legacy forward, the Malaysian Dhol Federation has played a significant role in popularising the ‘modern style’ across the country,” said Roshan, adding that the dhol has become more accessible and appealing to younger generations today.
He also recalled how Dholiz Malaysia became the first Malaysian group to perform alongside Bollywood superstar Hrithik Roshan at the IIFA Awards in 2015, marking a proud moment that Malaysian dhol talent could stand shoulder to shoulder with the world’s best.