Have you ever wondered what life would be like on another planet? Would humanity rebuild itself as a kinder, more compassionate version?
Or would the same old problems – racism, class divides, capitalism, and even the total annihilation of other groups – follow people beyond the stars?
Would the very evils seen on Earth today be necessary to colonise alien worlds and ensure humanity’s survival?
These big questions get a sci-fi twist with a darkly comedic edge in “Mickey 17”, the latest film from “Parasite” director Bong Joon-ho.
Starring Robert Pattinson in the titular role, the film is based on Edward Ashton’s 2022 science fiction novel. True to Bong’s signature style, it blends sharp social commentary with masterful storytelling and stunning visuals.
The South Korean filmmaker takes audiences on a thrilling journey across the stars, introducing them to unethical technology, power-hungry leaders, and native alien creatures – all while subtly making them question human dignity, the cost of survival, and the oppression of a colonising force.
He skilfully weaves a narrative that is both thrilling and thought-provoking, exploring the dehumanising cost of progress.
“Mickey 17”, which runs for 137 minutes, premiered at the 75th Berlin International Film Festival in February. The film boasts a stellar cast, including Mark Ruffalo, Toni Collette, Naomi Ackie, and Steven Yeun.
The film follows Pattinson’s Mickey Barnes, a simple man who becomes an Expendable – a disposable worker sent on dangerous missions to the frozen world of Niflheim – to escape a harsh life on Earth. Each time he dies, he is regenerated with most of his memories intact.
Things take a turn when he encounters the planet’s native, caterpillar-like creatures, adding an unpredictable threat. A miscommunication then creates Mickey 18, a duplicate existing alongside Mickey 17.
As Mickey struggles with his dual existence, he and the colonists remain under the control of expedition leader Kenneth Marshall (Ruffalo), whose ruthless ambition pushes tensions to the brink. Mickey must now question his purpose – and the true cost of human expansion.
Pattinson delivers a standout performance in “Mickey 17”, effortlessly navigating the complexities of playing multiple versions of the same character. Known for his brooding roles, he brings a human, relatable depth to Mickey, elevating the film’s themes of identity and existence.
At the heart of his performance is the subtle distinction between Mickey 17 and Mickey 18. Pattinson tweaks mannerisms, speech, and emotions to reflect their growing tension – and who knew he could be this funny and endearing?
Equally captivating is Ruffalo’s character. Much of the film’s dark comedy comes from his dynamic with his wife, Ylfa (Collette) – a couple who pretend to care for the colonists but are more concerned about keeping their expensive rug clean than sparing a life.
Ruffalo brings an eccentric, flamboyant energy to Marshall, reminiscent of certain world leaders. His performance is both amusing and unsettling, balancing levity with a sinister edge that makes Marshall a truly frightening figure.
Ultimately, “Mickey 17” is a breath of fresh air in an otherwise mediocre 2025 film landscape. Bong, a master storyteller, once again challenges the audience to reflect on life’s big questions – just as he did in “Parasite”. But unlike his previous films, this one ends on a more hopeful note, perhaps reminding everyone that a better world is possible.
As of press time, ‘Mickey 17’ is screening in cinemas nationwide.